mood: Paolo Nutini

A fairly uneventful week. We finished the blocking for Sophie’s final memory which I felt turned out very well though still needs practice to fine tune. The dream- like un-naturalistic context of the memory has been transposed to the performance by abnormal movement such as spinning. Spinning in and out of various settings also works well as a time savor because this scene does go through a number of settings which all take time to create.

The lighting is on it’s way. Beth and I have got a basic plan for the types of lights required for each scene but not yet where abouts they will be highlighting on the stage. Some of the company have been talking about creating a scene-by-scene for the blocking of people and set for eah scene which would be an excellent reference for us when doing the lighting plan. The only lights we are thinking of purchasing are the ones seen in Macbeth which are planted on the floor of the stage lighting upward. This will definately aid in eliminating shadows dor the void scenes.

pilot.