Do not worry Lisa, I am also hating myself right now. Sophie is soooooo  full of crap. Bah!! *vomit* *vomit*. I have lost her and cannot find her. And I also realised that I only have an accent for half of the play which is brilliannt considering we open this week. Lisa I would like to sit down with you sometime this week and discuss somethings that perhaps have been bothering you because I also need help and will be happy to give you some constructive critisism.

Lighiting

The lighting plan for ‘100′ is coming along well, with a few minor adjustments being made this week. Our first job once we enter the theatre will be to rig the lights according to our plan. The set-up which we enter the theatre at and what we must leave it as will be standard rigging. Our plan is standard rigging, altaring some colours, adding and angling some profilers as well as including flood lights. Once the set-up is complete patching will need to be planned, under the conditions of Bethany Carswell, our lighting operator. Once the plan is completed we can plug all the patchpoints into the lighting desk and begin plotting.

After Dinner

After Dinner was a very different style and genre of play. The charcaters were much more modern and alot easier to research.  The setting of the play was excellent, transforming the audience are into part of the set. The lighting was very basic but effective however some of the transitions lacked flow. An example of this is when more serious conversations took place and the lighting was gradually dimmed without the audience realizing but then were suddenly flashed back up which was a distraction from the acting. The actors were all great, each very different in every aspect. The learning of lines for this particular play I would imagine would be very difficult as many conversations go for long periods of time with not much action, therefor giving no movement for the actor to connect with the line. This theme of long discusssions which ran through the play was the times at which there was a chance of losing the audience’s attention. However, the strong and contrasting, whose dynamix drew interest, saved this from happpening.

Pilot.